在四川成都永陵博物馆里，五代时期前蜀开国皇帝王建棺床四周雕刻着一幅幅精美绝伦、神形兼备的石刻，这就是大名鼎鼎的“二十四伎乐”。“二十四伎乐”还原了唐五代古蜀成都的音乐文明，飘逸的裙摆、优美的身姿、令人惊叹的乐器，仿佛穿越千年在为我们呈现一曲华美乐章，其中一副石刻展示的就是箜篌。

In the Yongling Museum in Chengdu, Sichuan Province, there is a piece of exquisitestone carvingsaround the coffin bed of Wang Jian, the founding emperor of the Former Shu Kingdom in the Five Dynasties period. Thisis the famous "Twenty-Four Musical Players". Theirelegant skirt, graceful posture, and amazing musical instrumentsreflectthe musical civilization of ancient Shuin the Tang and Five Dynasties. One of the stone carvings shows the Konghou.

作为和西方竖琴同宗同源的姊妹乐器，箜篌在中国已有2000余年的历史，特别是在唐代享有盛名，诗曰：“昆山玉碎凤凰叫，芙蓉泣露香兰笑。女娲炼石补天处，识破天惊逗秋雨。”。

As a sister instrument ofthe Westernharp, Konghou has a history of more than 2,000 years in China, especially in the Tang Dynasty.

今天，来自成都10岁的小女孩侯景萌，用一首箜篌乐曲《阳关三叠》，再现这个传统乐器的神采风韵，向世界推荐来自中国的“正声清流”。

Today, Hou Jingmeng, a 10-year-old girl from Chengdu, reproduces the spirit and charm of Konghou with a piece called Yangguan Sandie, toshow the world the beautiful soundfrom China.