吐露着獠牙的蛇口中，蔓延出斑驳的刃身，刀刃飞舞，烈焰燃烧，发出雷霆万钧的一击。

Out of the fanged mouth of snakes spread the mottled blades… Beautiful blades and intense flames make for a weapon that strikes with a thundering blow!

在《战神》系列游戏中，奎托斯手握被注入火焰力量的混沌之刃，与命运对抗。

In the God of War series, Kratos holds the Blades of Chaos infused with the power of fire to fight against fate.

在B站上，UP主大锤LBX将20公斤的钢锭与火碰撞锤击，刃身在高温下透出红光，让人大叹“比游戏里的特效更有张力”。

On Bilibili, the Dachui LBX strikes a burning 20kg steel ingot… we see the red-hot energy within. Seeing this wicked energy, fans say it’s almost better in real life than in the game!

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神话里的传奇武器真的出现在现实生活中？游戏里“招手山来，挥手海覆”的超能力真的能在现实里找到落脚？大锤用3年的时间寻找答案。

Can we really make these mythical weapons come to life here? Can the amazing feelings we feel when wielding these weapons in the game come true? Dachui spent three years answering this.

“进击”的武器

Continuous Weapon Innovation

少年时，大锤就开始玩游戏，这是他的“第二个生活”，在这里，他可以体验无法体验到的人生。游戏里的武器，对大锤来说不只是来自小男孩的“武器情结”，更是一个美术生的“艺术修养”和一个游戏玩家的精神寄托。于是，当看到国内外复原游戏道具的匠人们的视频后，他在羡慕之余，决定动手干一干，没想到，就这样“陷”了进去。

Dachui started gaming as a teen – a second life we all experienced, somewhere else to be. These weapons weren’t just a way out of so-called “reality”, but a way in – to another world, as well as a merging of his artistic accompaniments as a student of craft, and a realization of his natural desires. After seeing crafters from inside and outside China making true props, Dachui decided to give it his own try, as a tribute. Little did he expect to become addicted to the reproduction of game props.

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从2020年8月发布的第一条视频“疾风之刃”，到耗时一年做出的满级利维坦之斧，再到手工锻造560层大马士革还原的卡利亚骑士剑，3年里，大锤手里的武器不断“进击”。“其实最开始是用木头，后来用到了比较软的铝，然后到黄铜，都是切割、雕刻，去年开始用钢来锻造。”

From “Blade of the Wind”, released in August 2020, to the full-level Leviathan Axe that took a year to complete, to the hand-forged 560-layer Carian Knight’s Sword of Damascus Steel, Dachui has been upping his game for three years. “It actually started with wood, then cutting softer aluminum and brass, through cutting and carving, until last year I began to forge reproductions using steel.”

雕刻考验的是艺术功力，而锻造是力与美的交响，跨越的背后，是大锤不断追求质感的极致。“木头或者铝制的刀剑，终究是假的，我想还原真实的武器。”

Carving is a test of artistic skill, while forging is a symphony of strength and beauty. The transformation from carving to forging witnessed Dachui’s constant pursuit of a refined, finished effect. “Swords made of wood or aluminum, after all, are fake. I seek to reproduce weapons in an authentic manner.”

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今年33岁的大锤，曾尝试过中介、司机、销售等多种工作，而今，他把全职做游戏武器复原作为终身事业。他认为，把虚拟的东西变为现实，这其中的探索精神和游戏世界里的是相通的。

Dachui, 33 years old, has tried his hand at a variety of occupations such as an agent, driver, and salesman… while now he has made full-time game weapon reproduction his lifelong career. He believes that the spirit of exploration in turning virtual objects into reality is similar to that in the game world.

“面向未知的冲锋”

“Charge into the Unknown”

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用技艺复原奇思，游戏走进了现实，也实现了梦幻联动：大锤制作的“萨鲁法尔大王之斧”被海外游戏公司官方转发，“疾风之刃”也被英雄联盟官方认证“注入灵魂”，此外，大锤的手艺也获得了世界十大游戏公司之一的UBISOFT育碧的关注，双方已有了初步合作。

Dachui exercises skills to reproduce creative ideas, not only making game objects real, but also drawing unexpected attention. Dachui’s video of his repro of “Varok Saurfang’s Axe” was re-posted by the official account of the World of Warcraft production company, and “Blade of the Wind” was also commented by the League of Legends’s dev as “infusing the spirit”. In addition, Dachui’s craft has also received the attention of UBISOFT, one of the world’s top ten game companies; they’re working on an agreement to work together.

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“现实生活是枯燥的，我有一个游戏世界，我把那里边的东西还原出来，别人看到后会觉得，原来现实生活中还是有一些有意思的人和事。”对于大锤来说，这个每天要呆10个小时的工作室，是虚拟世界和现实生活的连接点，承载着另一个有趣宇宙。在与虚拟世界的对话中寻找自己，在与现实生活的交手中塑造梦想，在这个宇宙里，他探索传统技艺，融合现代工艺，用复原去呈现游戏里的无限可能，对心中的向往，给出现实的回应。

“Real life can be dull and tedious, but I also have a world of games. I try to reproduce things from the virtual world, so that viewers may think there are still some interesting people and things in real life.” The studio, where Dachui spends ten hours a day, is a link between the virtual and the real. He finds himself in a dialog with the virtual world, and shapes his dreams in the context of how they can come into real life. In this universe, he explores traditional skills, integrates modern techniques, leverages his skills to show the myriad possibilities games present, and gives realistic responses to the yearning in his heart.