2022年11月17日，哔哩哔哩自制纪录片《不止考古·我与三星堆》正式收官(以下简称《不止考古》)，新兴创作手法与独特风格让文物高光后令人望而生畏的考古日常变得平易近人，妙趣横生，赢得受众好评连连。站内获9.8分，豆瓣获9.0分，铸就纪录片高口碑。

On November 17, 2022, Bilibili officially completed the homemade documentary More than Archaeology · Me and Sanxingdui(hereinafter referred to as More than Archaeology). The new creative methods and unique style make the daily archaeological work at cultural relics approachable and interesting, winning the audience’s praise. It scored 9.8 at Bilibili, and 9.0 on Douban.com, casting a high reputation for this documentary.

“沉睡三千年，一醒惊天下”，三星堆遗址自开挖以来一直都受到人民大众的广泛关注，不难发现，三星堆的每次“上新”都是各大媒体争相报道的对象，是毋庸置疑的全网热点。与之同时，三星堆相关的影视作品更是开始扎堆涌现，然而同质化问题也伴随着大量的同题材作品一起出现，受众开始审美疲劳。那么《不止考古》是如何创新自我在三星堆影视市场中闯出一片新天地的？

"Unknown for 3,000 thousand years, it does obtain worldwide astonishment when discovered." Sanxingdui Ruins draw people's attention since excavation. It is undoubtedly the hotspot because various media strive to be the first to report the relics unearthed here. At the same time, films and TV series related to Sanxingdui spring up in large quantities, which makes audiences begin to experience some kind of aesthetic fatigue. So, how does More than Archaeologywin itself a place among all the Sanxingdui-themed shows?

同样以驰名中外的三星堆考古遗址为背景，不同于其他同类纪录片，《不止考古》将叙事视角转向了背后鲜少有圈外人关注的考古工作。无论是考古版“他的眼睛就是尺”的冉宏林所长还是实验考古的川大“最年轻考古教授”黎海超，甚至是三星堆“网红火锅”背后的修陶大佬曾卷炳曾大爷，他们的工作日常被记录到荧幕中都为这部纪录片注入了人文色彩，让从未接触过考古的观众们眼前一亮。而在《不止考古》中，一群“新生代”90后考古队员的出现更是拉近了“考古”与年轻观众的距离。

Against the background of Sanxingdui Ruins renowned at home and abroad, More than Archaeologyput its emphasis on the excavation process that is hardly noticed. From archaeologist Ran Honglin who says "my eyes are like rulers" to the youngest experimental archaeological professor Li Haichao at Sichuan University, and to Zeng Juanbing,a master of earthenware restoration, their daily work are documented to create such a wonderful display to blow away audiences including those who are unacquainted with archaeology. More than archaeologyalso records a group number of archaeologists born after the 1990s, establishing a closer connection between archaeology and young people.

向历史纪录片注入人文烟火气 一群90后用爱将“冷板凳”捂热

Historical documentary connected with daily life, generation Y full of passion for archaeology

三星堆考古遗址上伫立着一幢幢钢架玻璃工作舱，考古人们需要在这些舱内完成文物发掘、取样等高强度的工作。为了保证文物们不会被污染，所有下到探坑内的人都要穿上整套防护服全副武装，长时间保持俯卧的姿势与三星堆土壤之下的器物们完成“亲密接触”。特有的工作方式亦给考古工作人员的身体造成了不可逆转的伤害，带伤上阵的90后女孩何晓歌却自创“圆规起立”的方式坚守一线。日复一日的工作中，90后考古“新生代”们用新时代青年特有的创意与活力为考古日常重新上色。有的人将寻找蜀王的野心写在背后，有人则画上一只小狗陪伴自己每日的发掘工作，没有刻意的雕琢和过多的描述，直白坦率地把文图书写在防护服，绘就了考古舱内一幅奇思妙想的梦想蓝图。

Certain cabins made of steel and glass stand on the Sanxingdui Ruins, which allows archaeologists to carry out intensive tasks including excavation and sample distraction. All the archaeologists who go down into the trial boring are required to be fully equipped with tailored suits so as to protect the relics from contamination. These excavators need to hold a prostrate posture when digging out precious cultural heritages underneath, resulting in irreversible damage to their physical health. However, a post-90s girl, putting forward to stand up with one leg like a pencil compass, sticks to the front line regardless of the pain in her body. Working day in and day out, the new generation born after the 1990s inject their unique creativity and vitality into archaeological work, some of whom writing ambitious remarks about discovering the King of Shu, some drawing a dog as a company with their daily excavations. They write plain descriptions of culturaltreasures on their suit without redundant elements, contributing to a fantastic dream blueprint in the tiny cabins.

而在舱外的田野之上，刚从探坑内上来的王瑞眼里满载星光地向摄影小哥科普文物，就算因为突如其来的暴雨造成了辛苦开拓的三个坑坍塌了也能从容笑对。《不止考古》的镜头拍摄下的不仅是文物出土的背后，更是90后考古人毅然远离城市喧嚣来到田野之上尽心追求理想的真实记录。当90后考古人这些可爱与坚守的一幕幕被拉到荧幕之上，大众看到他们的青春与热爱洒满了整片三星堆大地，也看到了996内卷之外，总有人在坚守梦想。

On the field outside the cabin, Wang Rui who just come from the trial boring is introducing the artifacts to the photojournalist with his eyes full of passion even if the hard-owned three trial borings collapsed due to the unexpected rainstorm. More than Archaeology is not only a documentary that records the story of unearthed cultural relics but also embodies post-90s archaeologists' resolution to pursue their ideals. This online show provides a fine opportunity for the general public to get to know the perseverance and passions for the archaeological undertakings and to know that besides the 996 work schedule, someone remains committed to their original aspiration.

考古不是一代人或者几代人就能完成的。以三星堆考古遗址为例，现在的研究发现仍只是冰山一角。这场没有终点的接力赛，主力棒已经开始交接。《不止考古》让观众们刷新了对90后群体与考古工作的刻板认知，掌握更多自然科学知识，熟练运用高科技设备，接触最前沿考古学理论方法的90后考古人足矣担起这份责任，他们，未来可期。

In fact, the process of archaeology cannot be completed by one or several generations. Take Sanxingdui Heritage Site as an example, findings till today are still the tip of the iceberg. This is a relay that already begins yet without a destination. More than Archaeology allows audiences to disregard previous stereotypical perceptions of the archaeological process as well as the post-90s community who improve themselves with the most frontier archaeological theories, know more knowledge about natural science, and are proficient in high-tech equipment. They, do have a promising future.

旁白妙趣横生，在轻松中追逐历史的踪迹

Narration full of wit and humor, entertainment from historical tracing

谈到历史纪录片，大多数人第一反应想到的几乎都是冗长的历史讲解与文物展示。而《不止考古》不仅采用了全新的人文角度切入，旁白上也延续了此前哔哩哔哩纪录片一路来的诙谐风格，同时其特有的弹幕文化和活跃的社区氛围也让科普变得更加生动好玩。无论是从未有过的拍摄视角还是独具平台风格的欢乐旁白，这些新颖的创作手法显然都更加符合年轻受众的个性化需求。纪录片《不止考古》对考古人跟随记录，真实展现了三星堆考古人的“烟火味”工作日常，深耕人文作品的坚持，用新颖人文视角为历史纪录片注入了新的活力。

When it comes to historical documentaries, most of us may think of tedious narratives or exhibitions of cultural relics. However, More than Archaeology is an exception. Guided by a brand-new humanistic perspective, it adopts a humorous style of narration like other documentaries on Bilibili, an online video-sharing platform that makes the show even more trending with its typical bullet chat and active atmosphere. No matter it is the unprecedented shooting perspective or the jocular voiceover, both of which appear to be in accordance with personal requirements among youngsters. More than Archaeology showcases the routine work of the archaeology community by on-site recording. It also makes each and every endeavor to produce such a widely acclaimed work of humanity and make itself even more animate by taking a fresh perspective.

考古的本质是通过文物研究古代的人与社会文明，通过客观存在去触碰千年前古人的情绪。《不止考古》虽然已经收官，但考古人的征途仍在继续，用热爱与坚持传承新时代考古人的责任与担当。

In essence, archaeology is about conducting research on the general public together with social culture in the past by those antiquities, which means to percept the emotions of ancient people by objective existence. More than Archaeologyhas been concluded, but the journey of archaeologists who need to shoulder specific responsibility with their passion and commitment still remains a long way to go.